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The directorвЂ™s approach to his subject, aided by cinematographer Daniel KatzвЂ™s composed camerawork, is an eerie combination of the campfire and the clinical: a bogeyman prequel of sorts, with character details like diagnostic footnotes, and a few sequences that wouldnвЂ™t be out of place in a slow-burn вЂ70s horror film. But that doesnвЂ™t mean there isnвЂ™t a worrisome shroud of doom Meyers slowly pulls over the last act of the movie. ThereвЂ™s nothing graphic about вЂњMy Friend DahmerвЂќ (besides the roadkill), because of where it stops in the timeline. His interest in dissection returns, and he starts withdrawing from people again. He likes his new clown status and the feeling of inclusion, although DerfвЂ™s cohorts are clearly more like friends laughing at him than with him.Д«ut when JeffreyвЂ™s parents eventually split, and the first inklings of his homosexuality emerge, JeffreyвЂ™s inability to handle private turmoil begins to overwhelm him. They start the Dahmer Fan Club, mostly built around pranks in which Jeffrey feigns spasmic seizures in public, or inserts himself into club photos for the yearbook. Suddenly an opening for sociability arises when a clique of brainy, confident nerds led by Derf (Alex Wolff) turn their irony-laden humor toward befriending Jeffrey. There are early lines of dialogue that are a little too on the nose - mom, chastised for her cooking, saying вЂњWe eat our own mistakes,вЂќ and dad telling his wife, вЂњWe need to talk about JeffвЂќ - but for the most part, MeyersвЂ™ coolly dispassionate, observant shotmaking gives us a quiet portrait of simmering unsettledness. (Heche and Roberts give exquisitely nervous performances.) ItвЂ™s 1978 when we meet the dead-eyed, picked-on Jeffrey, a time when he was most decidedly in his own world in small-town Ohio: dissolving roadkill in jars for the bones, obsessed with the bearded jogger (Vincent Kartheiser) who routinely passes his house, and avoiding home strife between a jittery mother (Anne Heche) recently out of a mental institution and a beleaguered father (Dallas Roberts) concerned for his friendless teenage son. At its best, when sensitivity and squirmy honesty collide, it feels like a Very Special Episode of вЂњFreaks & Geeks.вЂќ Writer/director Marc MeyersвЂ™ fine adaptation of real-life Dahmer schoolmate Derf BackderfвЂ™s graphic novel - anchored by former Disney star LynchвЂ™s mesmerizing turn peering out of David Soul hair - is more interested in capturing something mysterious, sad, even funny, and eventually terrifying about the edge of 17.

Thankfully, вЂњMy Friend DahmerвЂќ doesnвЂ™t come off solely like a spot-the-clues exercise. Was he obviously insane? Or did he just look like another loner kid who got lost in the caste-like swirl of adolescence? To watch вЂњMy Friend Dahmer,вЂќ about the high school age Jeffrey Dahmer (Ross Lynch) during the year before he became a killer, then a cannibal, then a household name, one canвЂ™t help but put oneself in the position of armchair forensic psychologist. But heвЂ™s also confused by sexuality, he suffers under warring parents, and he likes being a class cutup. HeвЂ™s fascinated by the insides of creatures. He stares, uncomfortably, and drinks secretly at school. He has the awkward gait of a zombie in training.